On Training Teachers: Choreography and Improvisation

On Training Teachers: Choreography and Improvisation

When I trained to be an Alexander Teacher at the American Center for the Alexander Technique from 1987 to 1989, I was fortunate to benefit from the wisdom of a large faculty of teachers with all levels of experience. Our Senior Trainers had anywhere from 6 to 30 years of experience teaching and training teachers. They each had a distinctive approach to the art of teaching. Alongside them, we were also taught by associate faculty, recent graduates and classmates who were at all levels of training.

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On Teaching: "Speaking without words"

On Teaching: "Speaking without words"

by Brooke Lieb

Brooke: During our work together on the ACAT Teacher Certification Program, I remember you repeatedly sharing with me that you found lectures and the verbal component of hands-on turns virtually un-intellligible, and stressful. I was able to appreciate that auditory learning wasn’t particularly useful to you, but in retrospect, I know I didn’t have a meaningful understanding or appreciation of how unique sensory processing is from one person to another. I was also fascinated because I know how much you read and comprehend, and that you studied much more complex subjects than I ever have and are articulate and versed in those topics.

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Working with Rhythm: Smoother movement for better coordination

Working with Rhythm: Smoother movement for better coordination

As an Alexander Teacher, I have been trained to observe and analyze my students’ movements and behaviors, so that I can teach them tools to maximize their efficiency while minimizing physical and mental stress.

One measure I use to that end is movement quality. I use a couple different scales, one of which is the range from smooth to jerky.

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